Welcome to His World. And Hers.

In a mixed but audacious first season, AMC’s feminist deconstruction of marriage stories made two sets of TV clichés into something bigger.

By James Poniewozik

In Disney+’s “WandaVision,” sitcoms were a prison and a haven. The Avengers’ Wanda Maximoff (Elizabeth Olsen), wracked with grief over the death of her android husband, Vision (Paul Bettany), conjured him back to life on a sitcom set — a magical bubble constructed of made-for-TV happy memories.

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